Seams okay

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Now that is what I call progress!

My Cable Front Cardigan by Norah Gaughan for Vogue Knitting is coming along apace. I made it my goal to finish the back over the weekend and, despite having a totally lethargic day on Saturday (which I am putting down to the humidity), I comfortably finished it by the early part of Sunday morning. That was the point at which I decided that I could seam together the main body of the cardigan and then when the cabled scarf front is finished all I’ll have to do is add that to the body and I’ll have a finished object.

Of course, as soon as it was in the above state, I had to try it on and I have to say that if the fronts were not so narrow, I’d be tempted to just put a button band on it and call it done. I love how it fits at the moment. It is nowhere near as boxy as the initial, multi-coloured version was, although the addition of the scarf piece will change the fit and the look of the garment dramatically.

Just to clarify, I have not made a mistake with my grammar in the title of this post, it is a play on words. I thought it would be nice to show you how I seam my hand-knits. First of all, I tether the pieces I am about to seam together with loops cut from left-over sock yarn – the contrasting colours help to make things clear. The loops are usually about 3-4cm apart.

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Then I run a row of crochet along to form the seam, removing each yarn loop as I come to it.

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Yes, it’s more bulky than a nice professional invisible seam, but what it lacks in grace it more than makes up for in sturdiness and ease of finishing. The only seam I really hate doing is the shoulder seam – no matter what I do I can’t get a shoulder seam to go together easily. Mind you, they look fine once the garment is finished, so who cares?

I hope you’ve enjoyed this little look at my current work in progress. I’ve been doing a little housekeeping on my archive of finished projects over the past week and I’ve come across some more references to old knits which I want to make new versions of. Come back on Friday for more about that.

In the meantime, I hope your week is progressing well.

 

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What you’ve always had

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Cable front cardi #1 (2006)

Having touched on the idea of always getting what you’ve always had in my previous post, I thought today I would do a show-and-tell about the previous versions of the cable front cardigan I’m knitting.

Above is the first version in a Katia yarn which I believe was part wool and part acrylic. I always thought of this as my “international cardigan” because it was knitted in England using Spanish wool bought in France by an English lady who was born in Germany in an English hospital staffed by Canadians! I did the cabled scarf part in the asymmetric style of the original pattern. This was a really nice top that I wore a lot. The man-made element of the yarn meant the fabric was quite floppy/silky so it draped very nicely and although it is quite cropped and wide, it never felt too boxy.

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Cable front cardi #2 (2011)

I didn’t really take to this second version quite as much as the first, perhaps because it was a bit too boxy, I was a bit too fat, and the gauge was a bit too tight. Looking at it now, I also think that button is way too high up! It was really cosy, though, and I wore it a fair bit. This was knitted with J C Rennie coned 4-ply wool held double, which yielded a Worsted weight fabric. You will see that on this one I kept the scarf front the same the whole way around and I’m not sure that was a good move.

Having looked at the photos of both now, I think I will go with the asymmetric scarf on my newest version. I am also making the body a little longer on this new version which I hope will prove flattering. It is always hard to tell, part of the way through a project which is knit in pieces, quite how the whole will hang once it’s all finished and pieced together. That can be a persuasive argument for all-in-one knits, but I rather like the big reveal at the end of the project when I get to be very happily impressed, or slightly underwhelmed.

I’m going to leave you with a funny thought – if I follow the mathematic sequence set so far, I will be knitting my next version of this in 2030 and I will be 70 years old.

I hope your projects, knitting or otherwise, are trundling along well and that you managed to either get on with them during the week or are planning a weekend with them.

See you on Monday.

Knitting progress slowing

26-06-19 Progress

Last week I had two sleeves completed of my Norah Gaughan cable-front cardi and, as you can see, I’ve added the two narrow front pieces to it, so I’m about 40% of the way there. Progress will now slow to a crawl as I am back at work for the next month and I can already see that I will only have time in the evenings to eat, tidy, have a bath and do one activity. Luckily the temporary job I’m in is way outside the area I said I’d be prepared to work so I am getting in two hours of brisk walking, meaning I can forget about any additional exercise on work days. However, I am determined not to let the work slip on my novel so the knitting’s got to be relegated to weekends. Such is life. Apparently paying the rent is more important than knitting – don’t ask me who makes up these rules.

I have made a start on the back of the cardigan which seems enormous after the sleeves and the tiny little fronts (they are very narrow because the wide scarf-style collar provides the rest of the coverage at the front of the cardigan). The scarf piece will take the most time because it is the part that has all the cable patterning on it.

Following the item I posted on Friday about the “I can do it” inspiration, I have currently got another of these quotes hammering around in my head: “If you always do what you’ve always done, you will always get what you’ve always had”. I think the idea is that you’ve got to break out of the cycle of repetition if you want to make advances. However, at this minute I am looking at this cardigan which, as I said before, is the third version I have made of it, and I think, yeah, I always want a version of this in my life, so doing what I’ve always done makes great sense. I hope that bit of positivity will help to banish the slightly negative thoughts that have been creeping over me this morning.

Hope your week is going well and you are making progress in your endeavours.

Mend me, baby, one more time

29-05-19 socks
Old striped socks with new plain grey ‘toe’ added

Okay, well, a Britney Spears reference may not be quite what we were expecting today, but she’ll do.

After posting last week about the whole sock-mending option not working for me, I took a second look at the four pairs that that I had set aside to do some repair work on. I gave the whole structure of each sock a more thorough check to see whether there was enough potential to make the repairs. It was encouraging to find that three pairs probably are still in good condition and should be repairable, although one pair definitely isn’t.

I worked on the pair which had the least wear and was therefore in a state where it would be relatively simple to knit a replacement toe. I have finished the work now and I am very pleased to say that it was a success – these socks should be good for another couple of years. For the time being I have put them away as they are an autumn/winter/spring weight and I won’t be wearing them through the summer months. Over the summer I will try to mend the other two pairs in a similar fashion.

When I had finished mending this pair of socks and composed my scheme for mending the other two pairs, I was feeling pleased with myself. Then yesterday I felt an ominous twang at the back of my neck, so I took off my cardigan and this had happened. Yikes!

29-05-19 cardi
It’s a broken neck! Not that I want to over-dramatise anything,

This is an old cardigan which I have been wearing since 2012 – the pattern is Laccaria by Norah Gaughan and I knitted it in J C Rennie Shetland wool holding two strands together to get a DK/Worstead gauge. (I find it quite odd that I don’t have any finished object photos of this project at all.)

Now, if this problem had cropped up in May last year I would have cut the buttons off and thrown the cardigan in the bin, which may sound extreme, but at that point I had marked it down as no longer wearable. I had become too plump for it – the sleeves would spot-weld themselves to my arms when I wore it; one of the buttonholes had grown to the point where the button simply would not stay shut; the whole cardigan was shabby. However, as I have lost weight this cardigan has regained favour with me to the point where I am not ready to let it go. So, more mending is in order – I’m pretty sure I still have a ball of this wool and can just unpick the cast-off edge of the neckband and re-do it. I want to knit a new garment in this type of colour and when I do that, it will be time to retire this one.

Do you find there are times when everything seems to need mending, or is it just a steady trickle in your life?


 

The good, the bad, and the swatchy

22-05-19 Inigo progress

Hello there! I’ve been knitting steadily for a few days now; not overdoing it, but making steady progress. I’ve finished the back and one sleeve of the Inigo cardigan, I’m really pleased with it so far and am finding it a very therapeutic garment to knit. I don’t mind at all knitting miles of stocking stitch flat – I really enjoy the purl rows every bit as much as the knit rows. The yarn is pleasant to work with, it has quite a number of prickly inclusion which I usually stop and pick out, but I think these might soften up when the finished garment is washed.

My other knitting activity has taken the form of a number of swatches. A couple of my friends very kindly gave me the book “Knitting From The North” by Hilary Grant for Christmas and one of them, who also has this book, has made a start on the “Loki” jumper. This is a really fabulous jumper and I decided I would make a swatch because I’d like to knit it sometime this year. I want to convert it to knitting flat in separate pieces so I started a flat swatch to check my gauge. Here is how far I got:-

I really like the patterning, but I hit a problem checking my gauge which should be 26 stitches to 10cm; I was getting 29 stitches and I think you can see from the close-up that the non-colourwork portion is already quite flimsy. Now, I’m a veteran user of Shetland yarns and I know that when I wash the knitted fabric it blooms magically, the gaps in the stitches close up and you get a lovely fabric. However, the one thing I also know is that my gauge doesn’t change when the fabric is washed, and I feel going up one or two needle sizes to match the stitch gauge called for might very well give a decidedly odd result with these yarns. With this in mind, I unpicked the swatch and have put this idea on the back-burner for the time being, with the intention of revisiting it when the mood strikes me.

That decision was aided by me reading this blog post over at Fringe Association. That little summer cardi she writes about reminded me of this heavy winter cardigan by Norah Gaughan:-

2006 Autumn

This was published in the Autumn 2006 issue of Vogue Knitting (or Designer Knitting, depending on your country) and I have knitted two successful versions in the past. Reminiscing on this, I started to think about that golden yellow yarn that I keep starting projects with but never finishing. I have considered a couple of times the option of holding it with a strand of cream wool to give a marled effect and it struck me that it might work for this pattern. So I swatched:-

 

Love it! Below the centre-line I used 4.5mm needles which gave me a gauge of 18 stitches to 10cm and above the centre I used 4mm needles which came out bang-on the 20 stitches to 10cm that the pattern calls for. My row gauge is, as ever, completely off – I can’t understand how anyone ever manages to get both row and stitch gauge and I don’t understand how the designers knit to get the gauges they do come up with, but that’s neither here not there. I’ve been knitting a long time and I’ve got used to the vagaries of it all. (Actually, my theory is that the row gauge is distorted with aggressive blocking, but don’t quote me on that because it might be a bit inflammatory!)

The photos of this swatch are useful because they illustrate the point I was making about my colourwork swatch and how the Shetland wool blooms when washed. Comparing the big picture of the yellow swatch (pre-wash) with the one top-right (post-wash) you can see how the cream stitches in particular have puffed up and softened in appearance. The yellow yarn is a blend of acrylic and wool so the behaviour is less pronounced.

So, there we have it: good progress, bad gauge, swatchy meanderings.

I hope your week is going well and you are getting in some knitting, planning, crafting, or just plain resting.


 

New on the needles

08-05-19 apple pie
Is it an alien planet? No, it’s an apple pie!

It is a miserable day in Norfolk today with a curtain of rain plunging down from a sky that hasn’t had the heart to brighten for one moment since dawn. The kind of day when you just need to sit on the settee with your knitting and only get up to bake apple pie. I usually make pie in a deeper dish, but decided to go for what my mum would call a ‘plate apple pie’ and jolly good it is too. I think it would only be improved if I had a Lego astronaut that I could pose on top to pretend it was a photo of an alien planet.

I had a couple of days not knitting when I finished Gaudi and then I cast on a pair of socks as a quick palate-cleanser before heading into another garment. I had a ball of Mr B Yarns’ sock wool in the colourway Isambard ready to go and I got a reasonable amount of the first sock knitted before being hit with the urge to knit another cardigan. The sock is my usual plain vanilla on 60 stitches using 2.5mm needles.

08-05-19 on needles
Vanilla sock, and the beginning of Inigo by Lisa Richardson

The cardigan is Inigo, a design by Lisa Richardson for Rowan Yarns from the New Vintage DK pattern book, just like the Gaudi cardigan. When I bought the book at the tail end of last year, I knew there were a number of garments I wanted to make from it. This pattern is designed using Rowan Cashmere Tweed, but I am using Sublime Luxurious Tweed DK which is a departure for me because it is a mix of 60% wool and 40% cotton. I think this will make a nice summer cardigan with the cotton content whilst the wool makes it more comfortable to work with than a lot of cotton yarns.

I am currently at the point where I will start to increase stitches from the waist to bust, but it hasn’t been a smooth ride getting here. I am going to confess that I didn’t knit a gauge swatch, just went straight into the garment cold in a yarn I have never used before because clearly my life isn’t exciting enough! I cast on using the recommended 4mm needles and the second-smallest size (91-97cm/36-38″ bust). When I finished the moss stitch hem I thought it looked wider than I would want, so I unpicked it and started again on the smallest size (81-86cm/32-34″ bust). I knitted about 4″ on that then measured my gauge and found I was getting 20 stitches to 10cm where the pattern calls for 22 stitches. I really liked the fabric at that gauge, and enjoyed actually knitting it, but I decided to start over again knitting the second-smallest size with 3.75mm needles to see how that would go. I got to the end of the decreases into the waist on that attempt, but found even one size smaller needles made the knitting much tougher on the hands and I wasn’t quite so keen on the slightly denser fabric it produced.. I would have persevered with it, but I had somehow lost a stitch in the decreasing and couldn’t find where I had made my mistake. That was enough to convince me to return to the original plan to make the smallest size on the 4mm needles and I am glad I did. What you see in the photos has all been knitted today so it is going pretty quickly.

08-05-19 close-up

I really like the pattern for this little jacket-style cardigan, plain and simple it will be just the thing to pull on through the summer. I don’t think I have knitted any of Lisa Richardson’s patterns before, but I have often seen her designs in the Rowan magazines and long been a fan of her design aesthetic which often leans slightly towards the vintage.

I hope you have better weather than us today and, if not, that you have been able to spend a little time doing something you love to bring a little cheer to the gloom.


Many thanks to my sister for donating the lovely Sublime yarn to me when she was de-stashing.


 

Finished Object – Gaudi Cardigan

01-05-19 Gaudi finished

It’s done! My Gaudi cardigan is completely finished, washed, dry, ready to wear. I am so pleased with it; it fits perfectly, the Rowan Felted Tweed DK makes it warm but lightweight, the colours are just stunning. I feel the buttons provide a final flourish. I went through my button tin as I knew I had bought some packs of blue grey and beige buttons some time ago. Once I had sorted them out into matching colour sets, I decided to use the palest beige, the deep-sea blue, and the charcoal ones in a repeating pattern and I just love how it looks. I think it lends the garment a playful edge.

So, here are the technical details:
Pattern:  Gaudi
Designer:  Martin Storey for Rowan
Book:  Rowan New Vintage DK
Size: To fit bust 36-38″ (second size)
Materials: Rowan Felted Tweed DK. I used 150g Clay; 37g Watery; 43g Granite; 15g Mineral; 64g Carbon; 15g Seafarer.
Needles:  3.25mm KnitPro Symfonie 30cm straights; 4.00mm KnitPro Zing 30cm straights.
Buttons:  I used 11 18mm buttons, pattern calls for 6 only.

Modifications (a.k.a. It isn’t you, it’s me)

From the outset, it was my intention to knit this exactly as the pattern is written with no modifications, even using the exact colours shown in the pattern. Well, that went a bit by-the-board, but I have to make it clear that I count this as an extremely well-written pattern, just one that doesn’t suit my knitting preferences quite as well as some of Martin Storey’s previous patterns. Here is the design photo:-

01-05-19 Gaudi pattern pic

My cardigan seems rather shorter than this but then I always have an issue with row gauge and I like the length mine has achieved.  The big modifications, though, came in the colourwork patterned ‘yoke’ area. I have to admit I struggled with this as I have mentioned in previous blog posts. Firstly, I didn’t work the few stitches at the raglan shaping in the Clay colour as I should have – I tried it both ways, but repeated re-knitting of the colourwork on the back left me with no desire to have three balls of wool hanging around getting tangled.

Last week I got it all seamed together ready to work the bands, but I tried it on and I really didn’t like the fit on the shoulders. I knew all along this could potentially be an issue because I don’t like wide necklines – they don’t suit my narrow shoulders and I find them fussy when it comes to necklines you can wear under them. Realising I wouldn’t wear the cardigan as it was, I unpicked the seams and took each piece back to a point where I could address this issue.

I will say here that I think this pattern would be ideal if you are used to knitting your sweaters top-down all in one piece, but want to branch out and try a pattern knit from the bottom up in pieces. I think you would end up with a fit you are very familiar and happy with from your previous projects. I don’t knit that type of garment because they don’t look like they would be a comfortable fit on me; although having modified this cardigan I might try an all-in-one construction sometime and modify it to suit me.

I have knitted raglan-sleeved garments in the dim and distant past, although a set-in sleeve suits me perfectly so I tend to stick with that, and I recalled that the sleeve decreases were worked until all the stitches were gone and the sleeve came to a point at the top. On this design, there is a shaped top to each sleeve. In order to get a close-fitting neck, I just carried on decreasing the sleeves as my previous experience dictated and then worked the shaping on the back and fronts to suit. This has given me the ideal result for my taste and it actually didn’t add more than a couple of days to the finishing of the project.

My second modification was to crochet the bands for the button, buttonhole, and neck edges rather than knitting them. Again, this is a result of past experience as I really like the finish a crocheted band provides, especially how neat the buttonholes are.

01-05-19 Gaudi buttonholes

I made my buttonholes quite close together, almost doubling the number of buttons called for, because of a discussion I had with one of my sisters when I was dithering over whether to knit this as a cardigan or change it to a jumper. With smaller gaps between the buttons it will be possible to wear it as a jumper when I want to.

So there it is, my completed cardigan and I can’t wait to be wearing it. I will post some modelled shots when I can grab them, but for now I’m just happy to have this one in my wardrobe. I love it.

01-05-19 Gaudi complete


 

Knits in progress as December wanes

Hello again, nice to have you back with me for an update on my current knits. I am not being a monogamous knitter at the moment, which is rather out of character as you know. I must admit this causes me a tiny bit of concern as I don’t think I will make progress on everything and I hate to leave things in abeyance.

The “old gold” wool

You may recall before Christmas I was having a dither over whether to continue knitting the Rimini cardigan by Martin Storey with this 4-ply yarn, or to abandon that and knit a thicker jumper holding two or three stands of yarn together. Well, I tried a thicker jumper and didn’t really like it so I reverted to the fine-knit cardigan which I know I will wear. However, what with the Christmas knitting and the dithering, it was clear I would not be finishing the project before Christmas so I decided to put it on hold, probably until the spring.

The “Dr Foster Went To Gloucester” socks

Another thing you may recall is that I knitted one sock out of this lovely Mr B Yarns wool back in September. I went completely out of my comfort zone and knitted it toe-up, incorporating the delightfully-titled Fleegle Heel and was very happy with it at the time, and in no doubt that I would knit the other sock when I’d finished… (insert whatever seems appropriate!).

I didn’t ever knit that second sock, but I thought knitting it would be the ideal project to fill in the time before I did my Christmas cast-on of the project I really wanted to work on. However, as soon as I tried on the sock I’d finished, I knew I wasn’t going to complete them. I had reverted to type and was dreadfully unhappy with everything about the toe-up construction. Luckily, I have small feet, and one 100g skein of yarn can more than adequately provide me with three socks, so I simply cast on a relatively plain, cuff-down sock. I experimented with the idea of doing a short row heel rather than my normal heel flap and gusset, but after two attempts I gave up on that too and went with what makes me happy.  So here is my progress to date – a HO:-

28-12-18 Dr Foster HO
Dr Foster Went To Gloucester – still love this colourway

I have decided these will be my New Year Socks, so I had better get the second one knitted over this weekend.

The Gaudi caridgan by Martin Storey

I had promised myself through December that I would cast on for the Gaudi cardigan once my pre-Christmas socialising was done and so I sat down in the calm of Christmas Eve and made a start. This is how far I have got – to the waist of the back:-

28-12-18 Gaudi progress
Halfway up the back of the Gaudi cardigan

I love this pattern so much. I love the colours and the fact they change regularly makes for a more interesting knit. The only thing I don’t like quite so much is the Rowan Felted Tweed wool. Oh, I love how it looks, I just don’t like the fact that it incorporates alpaca. I am not a fan of alpaca and every time I use it, I experience a twinge of regret. A nice Shetland wool would give the same look and, in my opinion, a much nicer knitting experience, so I will note that for my future edification.

Not that I’m going to allow that little carp to put me off this project! I intend to make steady progress on this garment and get it finished quickly enough to keep me warm through February and March which are often the colder months in my part of the world. I reckon so long as I do a few rows each day, it will be done before I know it! Shame that I completely failed to do a few rows yesterday (my excuse is that I had some work to do on an item for my Etsy shop and that was more important).

Today

So, for today my plan is to cast on the second Dr Foster sock and do some work on the Gaudi cardigan. Oh, and see how much exercise it will need to work off today’s mince-pie-and-cream input! I have been rather indulgent over Christmas, without going totally overboard. However, I have been very good with exercise over the days of festivity, which has to count for something, surely.


How is your knitting progressing? I’ll be back on Friday with some ink stash enhancement, then on New Year’s Eve I will post my review of my 2018 knitting projects.


 

Delving into history

Last night I found myself ambling through the blog posts I wrote before the long break. As I was wearing my Laccaria cardigan and reading the post about completing that cardigan, I felt inspired to photograph my current ‘wardrobe’ of knitted garments and analyse how old they were. This has been very interesting because researching the dates (which meant going back through my computer records and my hand-written notebook) has really brought home to me what a fallow period I fell into with my knitting (not to mention my general creativity) in that period when I wasn’t blogging.

So, following the photos from top to bottom and left to right, we find:-

Turin – Martin Storey for Jaeger – JC Rennie Supersoft Lambswool – August 2010
The oldest of my handknits which I still wear, this yarn has worn like a dream (no wonder I loved it so much), and this cardigan never fails me.

Square neck cardigan – Rowan Studio 11 – The Uncommon Thread BFL DK Cumulus – August 2013
Another absolute favourite which I have worn and worn. The colour is a little bit more blue than the photo manages to show, and the yarn is just gorgeous. It has pilled a little, but that can be forgiven when I consider how much I have worn and washed this baby.

Sleeveless tank – 1000 Sweaters – JC Rennie Supersoft Lambswool – June 2018
One of my more recent knits, but using up the trusty old JC Rennie wool, this is the top I am wearing today. I wasn’t sure when I made it how much I would wear it and the answer is, not a lot so far, but I still enjoy it and it’s useful to have as a layering piece.

Rib detail v-neck – 1000 Sweaters – Willow & Lark Ramble DK – October 2018
Most recent completed project, and I am so happy with this one. I could have made a better yarn choice and I don’t feel that this will be as long-lasting as some of my garments, but I can’t fault my choice of colour or pattern at all.

Mari – Martin Storey for Rowan – Bergere de France Ideal – February 2018
This was always going to be an oddity in my wardrobe because the yarn is not the sort of thing I usually buy. It is two strands of Ideal held together – one in what I affectionately term ‘Radioactive Red’ and one in cream. I ordered the red and started one or two things in it, but the colour was a bit offputting. In the end I ordered the cream to try and take the edge off a bit, and knitted this aran-weight jumper by Martin Storey on the basis that if nothing else it would be a warm layer to wear around the house. As it is, I wear it outside for cycle rides and walks when I don’t want to wear a jacket and I really rather like it. It is what I would term a ‘sloppy joe’. The pattern is actually written as a polo-neck but I just did a little stand-up crew collar which works very well.

Laccaria – Berroco – JC Rennie Supersoft Lambswool – 2012
Back to the older knits and this one has seen a goodly amount of wear. I was on the brink of disposing of it earlier in the year because I had got too fat to wear it, but my diet has brought it back into frequent use, although I tend to wear it mainly indoors. The only real downside is the 3/4 length sleeves which are great in summer, but not so good now the chillier days have arrived. Also, I need to fix the second bottonhole from the neck because the button won’t stay done up.

Chevron border cardigan – 1000 Sweaters – Cascade 220 Heathers – January 2018
I bought this yarn to knit Gullveig by Norah Gaughan for Berroco and one day I will knit that beauty, but the charted patterning was too much for my addled brain when I tried it. Instead, I knitted up this lovely worstead-weight caridgan when I needed a quick warm jumper project. It fits in exactly the same niche as the next cardigan and I love both of them.

Burr – Veronique Avery for Brooklyn Tweed – JC Rennie Supersoft Lambswool + Donegal Tweed – March 2016
This pattern sat on my must-knit queue for a long while and I just love the finished object. I omitted the waist shaping and worked a simple band rather than the collar in the original pattern. I love the little shaped rib details at the waist and cuff, and the eyelet rows at the shoulders – these little details just elevate the whole design. I have worn this so much as it is the ideal outer layer over a dress during autumn and spring, then as a cardigan during the colder months.

As I said, looking back through my notes has made me aware of the failures as well as the successes, and I am shocked by the number of projects I have started then abandoned because for some reason they were not working. Much of it is poor yarn choice, and I am afraid that may always be the case as I am easily seduced by yarns that don’t turn out to be as good as I hope. Then I lost sight of my creativity for a long while (actually, lost sight of myself which is even more dispiriting) and I am extremely thankful that I have found it again this year. In fact, whilst I’ve been writing this blog post I have been simultaneously writing down notes about possible patterns to knit or re-knit – I have a Bergere de France pattern book full of cabled knits that are singing to me at the top of their voices. I did try one of these patterns before, but the yarn wasn’t well suited to it and, anyway, I wasn’t the right shape for it at the time.

I hope you have enjoyed delving into my past, and seeing my current hand-knit wardrobe. Have you thought of doing this yourself? I can thoroughly recommend it.